mandolin-orange

Mandolin Orange Performing at the Cold Mountain Music Festival, June 8

Mandolin Orange will be at Cold Mountain Music Festival on June 8th. One of the most accomplished duos in roots music today has over 75 million Spotify streams and has played Red Rocks, Bonnaroo, Austin City Limits, Newport Folk Fest and Pickathon – and they’re just getting started. Following recent sold-out shows in Europe and opening for Josh Ritter at the Ryman, multi-instrumentalists and singers Andrew Marlin and Emily Frantz hit the road to perform their “lush” (Rolling Stone Country) music, a blend of “sweet, angelic harmonies” (NPR Music) and sharp social critique of their Southern heritage.

Lean in to Mandolin Orange’s new album, Blindfaller, and it’s bound to happen. You’ll suddenly pick up on the power and devastation lurking in its quietude, the doom hiding beneath its unvarnished beauty. You’ll hear the way it magnifies the intimacy at the heart of the North Carolina duo’s music, as if they created their own musical language as they recorded it.

“We talked about the feel of each song and pointed out loosely who was going to be taking solos,but it was mostly a lot of fresh takes, a lot of eye contact, and a lot of nods and weird winks,”says Andrew Marlin, who anchors the band with fellow multi-instrumentalist and singer Emily Frantz.

Released September 30, 2016 on Yep Roc Records, Blindfaller builds on the acclaim of Mandolin Orange’s breakthrough debut on the label, 2013’s This Side of Jordan, and its follow-up, 2015’s Such Jubilee.

Since then they’ve steadily picked up speed and fans they’ve earned from long stretches on the road, including appearances at Austin City Limits, Telluride Bluegrass Festival, Newport Folk Festival, and Pickathon. It’s been an auspicious journey for a pair who casually met at a bluegrass jam session in 2009.

As the duo’s songwriter, Marlin sharpens his lyrical prowess here, touching on broad themes of growing older and feeling helpless in a world torn by injustice. Sure, the album sounds classic, but it is rooted in the here and now of our daily headlines.

Take “Gospel Shoes,” a gimlet-eyed critique of how politicians have used faith as a weapon. “Freedom was a simple word, so reverent and true/ A long time ago, it meant the right to choose/ Who you love and how to live, but now it’s so misused/ And twisted by the politics of men in gospel shoes,” Marlin sings.

“When we finished Such Jubilee, I started writing these songs with a different goal in mind. I thought about how I would write songs for somebody else to record,” Marlin explains. “I ended up with a bunch of songs like that, but we chose ones that I still felt personally connected to.”

“We really chose everybody who played on the record, because we trusted them,” he adds. They found kindred spirits in Clint Mullican on bass, Kyle Keegan on drums, Allyn Love on

pedal steel, and previous collaborator, Josh Oliver, on various instruments. “We’ve always liked to record fairly live,” Frantz says, “and it’s pretty easy to do that when it’s just Andrew and me. So it was fun to hone in on the guys who played on this record.“We really jelled as soon as we got into the studio, and everyone’s playing was driven by intuition instead of details orchestrated in advance.”

Holed up at the Rubber Room studio in Chapel Hill, N.C., they laid down the tracks in a week between touring. They’ve always been keen on the notion that drawn-out recording sessions don’t necessarily yield better results. A good song, and just one good take, will always shine through any studio sorcery.

For Frantz, Blindfaller, which Mandolin Orange produced, was something of a turning point.

“Now that we’ve put out quite a few records and toured so much, I think a standard has been set and people expect a certain thing,” she says. “But you don’t want to get into a place where you’re just making the music you’re expected to make. You have to push yourself a little bit.”

The passage of time, and the regret that often accompanies it, courses through these songs. “When did all the good times turn to hard lines on my face/ And lead me so far from my place right by your side?” Marlin ruminates on “My Blinded Heart.”

In fact, there’s heartache by the numbers on Blindfaller. If you didn’t know better, you’d swear “Picking Up Pieces” is a tearjerker George Jones or Willie Nelson sang back in the early 1970s. It’s a Mandolin Orange original, of course, and also a poignant reminder of the economy and grace with which Marlin imbues his songs – say what’s important and scrap the rest.

A country dirge with soulful washes of pedal steel and mandolin, “Wildfire” details the the lingering, present-day devastation of slavery and the Civil War, with Marlin’s voice locking into close harmonies with Frantz on the chorus. “Take This Heart of Gold” opens with perhaps the best classic-country line you’ll hear all year: “Take this heart of gold and melt it down.” (Marlin admits it was inspired by a Tom Waits lyric he misheard.)

But there’s also room for detours. Straight out of a honky tonk, “Hard Travelin’” lets the band shift into overdrive. A freewheeling ode to life on the road, it had been kicking around for a while but never fit on previous releases.

As for the album title, it’s meant to evoke a sense of wonder, of contemplation. A “faller” is someone who fells trees, and in this case that person is blind to his/her own actions and those of the world. The spectral cover photo, by Scott McCormick, is open to interpretation, too: Either those trees are engulfed in flames or sunlight is pouring through them. It’s up to you.

“We wanted different vibes and different intuitions on these tracks,” Marlin says, “and I feel like we really captured that.”

About Cold Mountain Music Festival

Music festivals abound in Western North Carolina, but two things make the Cold Mountain event truly stand out.
The first is location. The festival’s setting is Lake Logan, a 300-acre natural paradise featuring a mile-long lake surrounded by the Shining Rock Wilderness Area. Although Lake Logan is just 25 minutes from Asheville, many area residents have never heard of it. Lake Logan was once the home of the country’s first school of forestry, and was later an executive retreat visited by Richard Nixon, George Bush, Billy Graham, and many others. Now owned by the Episcopal Diocese of Western North Carolina, Lake Logan remains one of the most jaw-dropping landscapes within the Pisgah National Forest area.

The second special thing about the festival is that it’s an event organized by the Episcopal Diocese of Western North Carolina as a fundraiser for Lake Logan and Camp Henry.

“I think people are often surprised that the Diocese wanted to take on a project like this,” says Michelle Robinson, who co-produces the festival. “Simply put, the Episcopal community is full of people who love good music and having a great time in such a stunning landscape. Lake Logan is a special place, and we are thrilled to share it with the public through this festival.”

Last year, the festival was headlined by Grammy-award winning hometown favorites the Steep Canyon Rangers, supported by acts like Town Mountain, Billy Strings, Love Canon, and Balsam Range.

This year the festival has expanded to include a second night, and will offer camping for the first time. On-site cabins have already sold out, but dorm-style bunkhouse lodging is still available. Local food and craft beer vendors will be on hand throughout the weekend, and a free kid’s area will offer activities and games for children.

Tickets and more information are available at coldmountainmusic.org.




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